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Archives for May 2014

7 Author Signing Today!

Maestri, Michelangelo - Busto di Bacco - 1850Come and join myself and 6 local Washington authors as we party at Paperbacks Plus in Port Orchard from 1:00pm to 5:00pm today! We’ll be signing books, giving away prizes, and who knows what other kinds of trouble we’ll be getting into. Libations and chocolate provided. If you can’t make it, you can join us on Facebook for an online party!

See you there 🙂

The #1 Thing Authors Need To Consider Ref Amazon-Hachette

Another good post on the Zon/Hachette kerfuffle…

Spotlight Series: Kristi Alsip

Spotlight Series logoToday is the launch of a new feature on the blog where I plan to spotlight artists from all different mediums: vocalists, actors, musicians, painters, etc, as well as authors. It’s called the Spotlight Series (original, huh? 🙂 ) and over the course of the next few months I intend to showcase creatives from all sorts of disciplines (and nope, I don’t have a set schedule for when I’ll post them–just like most of the blog’s entries, it’s pretty much gonna be a random event). Yay, random!

And now, on to the inaugural Spotlight…

photo of Kristi AlsipThe first artist in the Spotlight Series is someone I’ve had the good fortune to work with: voiceover artist, actor, and vocalist Kristi Alsip. She recently narrated the Leine Basso thriller, BAD TRAFFICK, and totally nailed the main character’s voice (see sample below). Leine Basso is a former assassin and I wanted her voice to be strong and confident, but not to come off as a hard-ass. Plus, the narrator needed to be able to do several accents (Russian, British, male, female, etc.) and Kristi was definitely up for the job. I was delighted to find out that in addition to doing voiceover work Kristi fronts two bands and acts in and directs a mystery theater company. I love acoustic rock, blues, and soul (her band, Crawford’s Daughter covers several of my favorites) and I would probably be at most if not all of her gigs if I lived near Chicago. Here’s her bio:

image

Crawford’s Daughter | acoustic rock / blues /soul

HOME The band to go to for acoustic rock, blues, and soul…
View on www.crawfordsdau…
Preview by Yahoo

Kristi Alsip is a vocalist, actor, and voiceover artist from the Chicagoland area. Kristi earned her B.A. in theatre and human services from Millikin University and spent several years on the Chicago theatre scene. Most of her creative energy the last 15 years has been spent fronting bands, although she still makes time to act and direct in the murder mystery company, The Mystery Shop. She formed her own rock/blues/soul band, Crawford’s Daughter (the name derived from a random line in the film ‘Mommie Dearest,’) and is also a lead vocalist for the group Moonlight Cocktail which covers disco, Motown, and current tunes from artists such as Bruno Mars and Adele.

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Moonlight Cocktail Music Band

Moonlight Cocktail Music –“An Intoxicating Mix of Old and New”

Kristi spent several years doing commercial voiceover work and was amused to find herself frequently getting sent up for the “Peri Gilpin type” (Roz from ‘Frasier.’) She has been heard in regional and national radio spots for Walgreens, Killian’s Irish Red, The Plane Dealer, Scrubbing Bubbles, and McDonalds. Just last year, Kristi began to branch out into audiobook narration and has lent her voice to several publications. Until now, most of her credits are of the memoir and self-help genres. Kristi recently completed work on her first book of fiction, the mystery thriller Bad Traffick (Leine Basso series) by DV Berkom and had an absolute blast!

Kristi currently resides in the Chicagoland area and is blissfully fortunate to share her time with the love of her life, Frank, and her two ridiculous Wheaten Terriers, Draven and Angel.

D: When did you first realize you wanted to be an actor/singer?
K: I was always a movie buff even as a little kid, although I didn’t get into typical ‘kid’ movies. I loved horror films and anything with Jack Nicholson. At about 7 or 8, I really got into singing and gravitated towards soul, rock, and blues. (I had a Shawn Cassidy record player with attached microphone and wore the hell out of it!) At the time, I especially loved Diana Ross, Olivia Newton-John, and Barbara Streisand. In an attempt to look like them, I begged my mother to let me get a home perm. Unfortunately, I ended up looking like Roseanne Roseannadanna on SNL. Super glamorous.

D: What prompted you to get into voiceover work?
K: About 14 years ago, I was doing a play in Chicago and the director was also working as a voiceover agent. She took me to dinner one night and asked if she could represent me. I recorded a commercial demo, began auditioning, and learned as I went along. Last year, I branched out into narrating audiobooks.

D: What’s your favorite part of working in a creative field? Least favorite?
K: I would have to say my favorite part of working in a creative field is having the opportunity to take all the experiences you gather and emotions you have as a human being and do something productive with them. Growing up, I was a little shy, so getting to get out there now to express myself is both challenging and rewarding. My least favorite part would be the auditioning process.

D: Where do you see yourself in five years?
K: Working/recording from home, continuing with commercial and audiobook work as well as booking more gigs with my band Crawford’s Daughter. My next goal is to get back into acting and branch out into film. I’m in the beginning stages of collaborating on a screenplay, so we’ll see what transpires.

D: What would you like readers of this blog to know about you?
K: I have an INCREDIBLY fantastic support system of family and friends that are always there at shows and gigs and ready to purchase audiobooks the minute they go on sale…which I think is pretty great considering I’m the only one in my entire family tree that sings or acts or is in any kind of creative field. I always joke that I’m the apple that fell off the family tree into another yard. 🙂

D: Thanks for being here today, Kristi! Good luck with everything, especially the screenplay 🙂 Here’s a sample from Kristi’s work on Bad Traffick:

***Leave a comment with your email address for a chance to win a free download code for Bad Traffick from Audible!

 

<><><>If you know someone who you think deserves to be highlighted (even if it’s your fine self), I’ll be accepting suggestions for the Spotlight Series through the end of June. Just email me at dvberkom8[at]gmail(dot)com with information about the artist (whether it’s you or someone you know). It’s at no charge to the artist and will give them some exposure they might not get otherwise, and I get to meet interesting people and have cool stuff on the blog. Total win-win!<><><>

 

 

Amazon v Hachette: Don’t Believe The Spin

An interesting take on Amazon/Hachette negotiations. As is usual, not going off half-cocked on something with precious few factoids available appears to be the way to go…

Railing against Self Publishing

Angry tigerHmmm. Me thinks history repeats itself…

http://www.indiesunlimited.com/2014/05/21/every-drunken-mans-dream-is-a-book/

Guest Post: That Song Inside Me

by Lise McClendon

Songwriters and literary writers have much in common, the creative use of words, imagery and emotion conveyed in a stylized manner, and often the subject matter itself. The love song and the love story have provided endless twists on the human need for affection and belonging. Whether a poet or a novelist, a folk singer or a classically trained violinist, a writer of haiku or 150,000-word novels, the muse flows through her, in word or song.

cover for One O'clock JumpIt’s probably not surprising that writers can get inspired by a song or a style of music. A writer may hear a theme or be turned onto a cause by a popular song. Music can define an era like the sixties and be an outlet for and expression of societal change. Writing a historical novel means familiarizing yourself with everything current in that time, including fashions, slang, and popular music. When I wrote the mystery, One O’clock Jump, set in 1939 Kansas City, the music of Count Basie informed the whole book. Basie’s band shined in Kansas City and he makes an appearance himself in the story. The title is his most famous song. When I started the novel with a young woman who – seemingly – jumps from a bridge over the Missouri River, it just made sense to make title and event mesh. The follow-up book in my Kansas City series is Sweet and Lowdown, the title of a Gershwin tune that perfectly fit the bad girl in the story.

There have always been novels about music, like High Fidelity and Mambo Kings Play Songs of Love. But being inspired by a song or type of music is a bit different than writing about music, bands, and record shops. What I mean instead is finding a way to wrap the feeling evoked by the music into a plot that doesn’t focus on it. What’s the theme of the novel? How does it spring from or reflect the emotion in the music? Mystery and thriller writers often name-drop favorite bands or tunes for effect, mostly because quoting lyrics is a tricky practice legally. We just hope you know the tune.cover for Blackbird Fly

But titles can’t be copyrighted so song titles as book titles are popular in all genres. I did it again when I wrote Blackbird Fly, my novel set in France. The characters in the suspense novel listened to the Beatles as children and have a fondness for their music as adults. Blackbird Fly is a Beatles song (of course) about finding yourself and taking flight into a new life. That describes the arc of Merle Bennett, the main character, whose husband dies and leaves her a house in France and a mess of personal and financial problems. (There is another, more personal connection between the song and Merle which I won’t spoil as she spends the entire book finding it out.) I grew up with the Beatles, too. But I can’t remember exactly when in the process of writing the book I made the connection between my protagonist and the song. It seems embedded in the story like it was always there.

Themes in your fiction are shadowy creatures, darting out of view when you look too close. Music can help you identify a theme, like Blackbird Fly did for me. Of course, there were those five major rewrites. 😀

cover for Girl in the Empty DressAnd what about songs about writing? Songwriters are more prone to write songs about writing songs. But now and then there is some serious crossover. Here’s my list of favorite songs about writing. What can you add?

• Every day I Write the Book – Elvis Costello. The classic leads the list
• Writing You a Love Letter – Bonnie Raitt. A love letter is definitely creative writing
• Oxford Comma – Vampire Weekend. Points for punctuation and the music video
• Paperback Writer – The Beatles. You knew that was coming, didn’t you?
• Jonathan’s Book – Teddy Thompson. Is this song about Jonathan Franzen? Pretty sure.
• Dancing in the Dark – Bruce Springsteen. The boss had me at love reaction: I’m sick of sitting ’round here Trying to write this book.

How does music inform your writing? Do you use it to inspire you?
______

author Lise McClendonLise McClendon has been publishing fiction for twenty years. Her latest novel is a sequel to Blackbird Fly called The Girl in the Empty Dress. Read more about her fiction at her website and follow her scintillating twitter feed at @LiseMcClendon.

Goodreads Giveaway

Hey everybody! It’s that time again–I’m giving away 2 signed print copies of the latest Kate Jones Thriller, A ONE WAY TICKET TO DEAD (Kate Jones #7) on Goodreads.

Although it’s “#7” it can easily be read all by its lonesome. Of course, I’m hoping that you’ll think it’s so danged good you’ll want to read the others in the series if you haven’t already 🙂 Click on the link below to enter (Giveaway ends 5/28/14)

 

Goodreads Book Giveaway

A One Way Ticket to Dead by D.V. Berkom

A One Way Ticket to Dead

by D.V. Berkom

Giveaway ends May 28, 2014.

See the giveaway details
at Goodreads.

Enter to win

Awesome Authors–Ken LaSalle

Author Ken LaSalleToday on Awesome Authors I have the distinct pleasure of interviewing author, playwright, actor, memoirist, and voice artist Ken LaSalle (I’ve probably missed something he does, like ninja surfing with throwing stars or free climbing while editing, but I think you get the drift). Ken and I met through Indies Unlimited and a couple of months ago Ken emailed to ask if I’d like to be a guest on his podcast So Dream Something. I did, and enjoyed the experience so much that in return I thought it would be fun to feature him on the blog. So, without further ado, heeeere’s Ken LaSalle:

(From the author’s bio): Author and playwright, Ken La Salle’s passion is intense humor, meaningful drama, and finding answers to the questions that define our lives. Ken La Salle grew up in Santa Ana, California and has remained in the surrounding area his entire life. He was raised with strong, blue-collar roots, which have given him a progressive and environmentalist view. As a result, you’ll find many of his stories touching those areas both geographically and philosophically. His plays have been seen in theaters across the country and you can find a growing number of books available online. Find out more about Ken on his website.

DV: Hi Ken! Welcome to Awesome Authors. Can you tell us a bit about yourself?

KL: I usually describe myself with one word, “author,” but the years have shown me that one word encapsulates a whole lot. Just off the top of my head, for instance, I’m a writer, editor, publisher, cover artist, manager, admin assistant, interviewer, sound mixer, sound editor, voice actor, producer, and web monkey. And there are plenty of things I’ve probably forgotten.So Dream Something logo

Further, no two authors are the same. We all go about this job a bit differently. That’s one of the things that makes the indie author community so rewarding; there’s a lot of sharing of knowledge and experiences. It’s almost difficult to feel completely alone.

“I’m a writer, editor, publisher, cover artist, manager, admin assistant, interviewer, sound mixer, sound editor, voice actor, producer, and web monkey.”

Beyond that, I’d say I’m a “big picture” kind of guy. I try to think on the biggest scales I can manage, because I know that’s one of my strengths and there are plenty of other authors who do so many other things better than me. I’m so big picture, in fact, that I will very often overlook small details in my first drafts. That’s actually become part of my process, rewrites just for the purpose of getting the details in.

DV: I hear you’ve been busy this year. What have you accomplished so far and what are you working on now?

KL: That’s a dangerous question because, you’re right, I have been busy.

I finished a new, romantic novel, called Heaven Enough. It’s about accepting what life throws at you and trying not to over think things, finding the things that matter and saying to hell with the rest. My agent, Jeanie, is very enthusiastic about it.

I penned the first two books in a series of experimental “children’s books for adults” called Fun To Grow On. Fun To Grow On will be a series of very strange stories – you might say “morality tales,” were you to stretch the definition. One thing I’ve come to realize as I get older is just how little knowledge so many adults have and I think adults could use some children’s books to relearn a thing or two. Look for the first two books in the series coming in e-book, audiobook, and paperback soon.

But perhaps my favorite book this year, which may turn out to be my favorite book of the decade, is a book I recently wrote on Buddhism. I can’t say too much at this point but I will say that I’ve taken what can often be a confusing subject and I’ve found a way to make it easy to understand. After writing a book on success (Climbing Maya – available in e-book and paperback) and a book on ethics (Dynamic Pluralism –which we’re still looking to place with a publisher), this is really the most incredible story.cover for Climbing Maya

That’s just the start of what my year has held! I’ve been fortunate as a playwright to have two staged readings this year. I placed my romantic fantasy novel, The Wrong Magic, with WiDo Publishing, who should be releasing it in time for the holidays. I premiered a new YouTube series, Jackemoff Forest. (The “J” is pronounced like a “Y” and the “f”s are silent.) That’s about a liquor store employee who discusses current events with a host of very strange characters. And so much more

… it’s been a crazy year.

DV: What’s your process when sitting down to write? Do you outline or just go with the flow?

KL: I approach process on a couple of different levels.

First, I try to run my writing career as much like a business as I can. I keep regular hours. I work five days a week, sometimes 10-12 hours each day. I try and set a strategy for everything I do. If it’s a book, can it work as an audiobook? If it’s an essay, how can I re-purpose it? I try to think as far into the future as I can manage.

On the flip side, I know myself pretty well. So, I know any plan that goes too long is going to bore me if it’s not just amazing. A new fantasy series I’m trying to sell, for instance, will be nine books long. That will probably equal over a decade of writing. But it’s worth it. It is flat-out amazing.

And that brings me to the actual writing. As with most things, I try to be as pragmatic as I can while being completely insane. For instance, I use whatever method works for whatever project I’m on. A book like Heaven Enough required very little outlining. It was all feeling. (I tend to think of writing in strange terms, such as feeling, rhythm, landscape. It’s my own kind of shorthand.) The first book in this fantasy series, however, got diagrammed in extreme detail on a giant piece of poster board. I needed that to be as clear as possible, because so much happens at once.

“I tend to think of writing in strange terms, such as feeling, rhythm, landscape.”

Basically, and this leads to your next question, I go where the story takes me. My first problem is conceiving of a story I can’t stop thinking about. This is why I don’t take a lot of notes. I figure that if it’s not memorable I don’t want it. Somehow, I’ve been fortunate enough to get more of these ideas as I go and not less, owing to practice I suppose. I tend to be drawn to questions, which is how I ended up writing non-fiction. (And that surprised me more than anyone!) Otherwise, when a story comes to me, I try not to discriminate. I know it’s coming from a place deep within myself that needs to speak. So, I try to find a way to let that happen.

DV: You write in several different genres (horror, memoir, self-help, fantasy) as well as being a playwright—but you were first passionate about acting. Tell us a little about what prompted you to switch from acting to writing.

KL: You know, I loved acting more than just about anything. There is no feeling equal to a theater full of people applauding you and you alone. It is breathtaking.

And yet… I came to a point in my life when I realized that as an actor, and I was fairly good as far as actors go, I would only be good. I would never be great. Realizing this was only complicated by the fact that I knew I could be something special as an author. My competency as an actor does not come close to what I can do as an author. Just look at Climbing Maya, The Day We Said Goodbye, or Daughter of a One-Armed Man – three books that I believe do some remarkable things. Add to that two new books coming this year, Indian Paintbrush and The Wrong Magic, which are just a ton of fun. Add to this the book on Buddhism. And that’s just the start.

cover for 5 Brief MinutesI believe that part of being an artist is hitting the greatest heights your talent will take you. Writing has become my Louisville Slugger and I’m getting closer to the fence every time.

Perhaps the best thing that has happened very recently in my career is my discovery of audiobooks and YouTube content generation. I’ve found that I need not leave my acting career completely behind me. As the narrator of my audiobooks, I get to be the one to interpret my books in that medium. On YouTube, I’ve produced spoken-word essays, theater of the mind, and this new thing: Jackemoff Forest. Not only do I act but I direct, mix the sound, edit – everything!

DV: Audiobooks have become a huge industry for indies as well as for trad pubbed authors. You’ve got a great voice for narration and have produced and recorded your own audiobooks. Can you tell us what’s involved?

cover for The Day We Said GoodbyeKL: For me, the biggest step toward creating my own audiobooks was the same step I so often find myself needing to take: Not being afraid of what others think.

Producing your own audiobook requires a kind of “jack of all trades” mentality. And, just like writing itself, you won’t get it absolutely right the first time out. Maybe not even the second. But you have to get good pretty fast because consumers are not very forgiving.

The reading itself is never a problem because one of my steps in rewriting is often to read aloud and listen to how the book sounds. Sometimes, acting isn’t even required. When I read A Grand Canyon and The Day We Said Goodbye, and in those moments when I got choked up (yes, even after all the times I’d read, re-read, written, and re-written those words before), those were real emotions from real times in my life.

But I know my limitations. I’ve stayed away from books with too many characters or too much action because those don’t quite suit me. I suppose I’ll just have to find someone else for those.

DV: How do you define success?

KL: Funny you should ask! I define success in my book, Climbing Maya, An Exploration Into Success. No kidding. The dictionary has it wrong. Conventional Wisdom has it wrong. I found myself without a job one day. One friend was dying of leukemia and another was crawling into a bottle. And I had to know what we mean when we refer to “success.” The answer to that question lies in the pages of Climbing Maya.

… but you probably want something for your interview. I don’t really think about success all that much anymore. (After years on Climbing Maya, I’d kind of beaten it to death.) As an artist, I’ve pretty much accepted that “success” is really not the name of the game. An artist is someone who puts themselves through discomfort, possibly embarrassment, to create something meaningful. They basically transform fear into meaning.

So, I’ve found myself intentionally doing things that scare me. My YouTube videos, for instance. I’m basically daring the Internet to call me names. Why would anyone do that? Because there is a thread coming from the edge. It’s my hope that someone pulls on the thread and finds the meaning I’ve left there.

(And, just in case anyone found that all unbearably pretentious, I completely agree. This La Salle guy, huh?)

“As an artist, I’ve pretty much accepted that “success” is really not the name of the game.”

DV: You’re a big believer in having a dream, but you haven’t always felt that way. Would you talk about that and what it means to you to believe in your dreams?

KL: I grew up in a very blue-collar home. We were poor and there wasn’t much hope. I was told to find a job in a factory and keep it. Just keep it. I ended up being the black sheep for many years, horribly misunderstood, because I just couldn’t. I just wasn’t built that way.

As much as I fought my artistic tendencies, I couldn’t stop myself. I found an avenue that allowed me to write for a living, which was in technical and marketing writing. I spent 20 years doing that, thinking that was all I could hope for. Then, the economy crashed just over a decade ago, and I went from one layoff to another as I went from one job to another. The idea of focusing on my writing only came because, strangely enough, the economy was so bad that being an author made about as much sense as trying to find a “real job.”

But I still didn’t believe in the power of dreams. This was all a fluke. I couldn’t understand that my dream, buried as deep down as I could manage, had been steering me this way despite my best efforts to avoid it. A dream is just your body’s way of exerting its will, of telling you, “I want this.” If you try and run away, you’re only running away from yourself.

Writing about following your dreams for Recovering the Self was just a lark at the beginning. How was I to believe in something I’d spent my life running away from? Yet, the more I considered the power of dreams, even hosting a podcast on the subject, the more I realized something that should be clear to everyone.

“I couldn’t understand that my dream, buried as deep down as I could manage, had been steering me this way despite my best efforts to avoid it.”

This is what I’ve come to understand: Dreams make us better people. They make us happier and healthier. Even if we do not accomplish our goal, even if we fail, we’re better off. Because trying breeds a kind of confidence. Failure fades but the knowledge that you went for it lives on.

DV: What advice do you have for a writer just starting out?

KL: Don’t.

Seriously. Don’t.

I say this, of course, fully aware that anyone who has to write has to write. So, I say that if you can avoid it you should, because it probably isn’t that important in the long wrong.

Writing is tough and shouldn’t be attempted by anyone who can help it. You make nothing for money most of the time. You toil in anonymity for the most part. And people will take advantage of you at every step, if you’re not careful.

cover for Daughter of A One-Armed ManBut, if you have to do it, then I say, “Do it.” Don’t let anyone tell you to have a Plan B or something to fall back on. Over the years, I’ve come to realize that life is long and you should fail as many times as you can. Only failure will show you what you’re doing wrong and, perhaps, what you should be doing to get things right.

DV: Where do you see yourself in five years?

KL: This is an interesting question as I am writing this at the beginning of the Pacific Crest Trail season. Every year, at the end of April, thru-hikers attempt to traverse the 2,668 miles from Mexico to Canada, along the Pacific Crest Trail.

One of my life goals is hiking the PCT. For me, it’s all about conquering fear. I’m personally terrified of being eaten alive by wild animals, which I have built up to a point where the entire 2,668 distance seems wallpapered with bears and mountain lions and rattle snakes.

To get there, I’m going to need to write my little heart out. The PCT trek takes about 5-6 months. That means I’ll need to have an income to afford not working that long and I’ll also need to be physically fit enough to go that far.

As unlikely as that may sound, that is where I see myself in five years. Now, let’s see how good I am at predicting the future…

DV: What’s next for Ken La Salle?

KL: A lot of work.

This year, you’re going to see several new titles from Ken La Salle. Some titles will include e-books, paperbacks, and audiobooks. You’ll see new YouTube videos each month, along with new episodes of So Dream Something, and new essays on Recovering the Self and perhaps even on Indies Unlimited.

As strange as it might sound, I’m even more excited about the work I have laid out beyond that. As of now, I have five new books just sitting there, waiting to be written. There’s nothing as exciting as a new book. This is partially why I don’t read so much anymore. Why read it when you can write it?

DV: Wow. That’s a lotta work! I completely agree with your description of the excitement of a new book. I feel it every time. Go get ’em, Ken, and good luck! 😀

To find out more about Ken LaSalle and his work, here are some links:

On the web at www.kenlasalle.com

On Twitter

On Facebook

And, on YouTube

His books can be found on Amazon.com, BN.com, Smashwords.com, and his audiobooks at Audible.com.

 

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