Today I’m participating in the Writing Process Blog Hop, where you’re tagged by a fellow writer to answer some questions. In turn, you then profile 2-3 other writers to do the same. The person who tagged me is the inimitable and always classy Charlie Ray (http://redroom.com/member/charles-a-ray). I interviewed Charlie a while back on Awesome Authors. You can blame him for what you’re about to read 😀
Question 1: What am I working on?
Currently I’m brainstorming scenes for the third as-yet-untitled Leine Basso thriller. It’s like old home week as I figure out which direction Leine and Santiago’s relationship is going to go, how to integrate Leine’s new line of work into the story, and re-introduce characters from previous books (if you liked Yuri’s uncle, you’ll enjoy this installment), all while keeping the suspense and action building throughout the book. Beginning a novel is all deliciousness and unicorns and mimics the first blush of infatuation: everything’s awesome and the possibilities are endless. Yes, I know that will wear off at the first hint of trouble, but as long as I blow something up I should be okay 😀
I’m also working with two different audiobook narrators: I’m excited to report that Melissa Moran has finished CRUISING FOR DEATH and the book is now in ACX’s capable hands. Melissa also recorded the KATE JONES THRILLER SERIES boxed set and has been a lot of fun to work with–she has Kate’s idiosyncrasies down pat. Look for it in the next few weeks.
Kristi Alsip is in the process of recording BAD TRAFFICK, and I can’t say enough good things about her work. When I first heard her voice I KNEW she would make a great Leine Basso and, from what she’s done so far, she’s nailed it. Once the audiobook’s completed it will go to ACX’s sound engineers for approval and should be available next month.
Question 2: How does my work differ from others in its genre?
I write thrillers, and there’s an expectation on the part of thriller readers that the books will be fast-paced and have a lot of action. Of course, I LOVE writing action scenes, so that’s no problem. What I think I do a bit differently is incorporate suspense and action and a likeable, kick-ass-but-flawed heroine with humor. One reviewer put it this way: “The humor serves as good balance to the fear and anxiety that [the character] freely expresses in the face of her predicament, providing a sharp and refreshing contrast to the typical stoic, grim-faced male hero of the thriller genre.” Another difference: my female characters aren’t superheroes–in fact they are all too human–but they aren’t helpless women who need a man to save them, which is a particular pet peeve of mine. Why would I want to read about a woman who doesn’t know how to get herself out of trouble and who waits for the alpha-male to “save her”? Yes, I have strong men in my stories, and yes, they help the heroine out occasionally, but I try hard to write female characters who are plenty capable themselves and know their way around a weapon. And explosives.
Question 3: Why do I write what I do?
Growing up, I loved reading spy novels and watching James Bond movies, but always yearned for books and movies that had a female equivalent in the lead. When I caught the novel-writing bug I thought why not write what I’d want to read? My first female character, Kate Jones, went through several incarnations, moving from a smart ass Jeep tour guide in a humorous mystery to the current thrillers where Kate grows into a capable and dangerous enemy. She’s still a smart ass, though.
As for the Leine Basso novels, SERIAL DATE was in response to a twisted dream I had about serial killers and reality shows, and I needed to find a character to write who could go toe-to-toe with one of them. An assassin seemed perfect: they both killed people. The dynamics of having one of the characters (Leine) question her motivation for being a hired assassin and whether that made her different from a serial killer intrigued me. The second novel, BAD TRAFFICK, was in response to watching a documentary on child sex trafficking and I knew I had to write Leine into the story. I was torn though, as SERIAL DATE has quite a bit of dark humor and satire, and I wanted to try to keep the tone consistent in each series (okay, it didn’t work with Kate, but at least I tried). There’s nothing humorous or satirical about human trafficking, so the tone in that book ended up being more of a straight thriller. There’s still some humor, but only in Leine’s smart ass reactions to specific characters. Hmm. Do I detect a theme here?
Question 4: How does my writing process work?
First, I clean my house. Really. My husband loves this stage, since I’m woefully challenged in the domestic arts. Then I sit down with a notepad and paper and draw a timeline across the top of the page, putting little hash marks at the beginning, 1/4 point, midpoint, 3/4 point, and two near the end, labeling them: inciting incident, 1st turning point, midpoint, 2nd turning point, black moment, resolution. Then, I set to work brainstorming scenes, moving them around on the timeline to see where they fit. If I have trouble coming up with enough scenes to start writing, either I trash the idea, or I ask my husband and writer friends to help come up with scenes. Once I’ve got a good sense where the story’s going, I sit down to write (I use a computer and MS Word). I’m pretty linear, so I go from chapter to chapter, editing a bit as I go, until I reach the end. During this first draft stage, every two weeks I send sections to my critique group for their suggestions. Then I do a read through before sending it out to a dozen or so beta readers. While I’m waiting for their responses, I catch up on all the stuff I ignored while writing. Once the betas get back to me, I do one more read through incorporating many of the suggestions, and then send it off to my editor. At that point I usually have the title, so I work on the book’s description and then send that info off to my cover designer. Once I get the edits back I incorporate them, do another read through and publish.
Now that I’ve bored the bejeezus out of you all, it’s time to give a shout out to the writers I picked to continue the blog hop. All three are in my writing group and all are published in some form of romance (I’m the token heathen who doesn’t write in that particular genre). We’ve been friends for years and yes, I know where the bodies are buried. We’ll leave it at that…
Darlene Panzera writes sweet, fun-loving romance and is the winner of the “Make Your Dreams Come True Contest” sponsored by Avon Books, which led her novella, THE BET, to be published with Debbie Macomber’s FAMILY AFFAIR. The full length novel, re-titled, BET YOU’LL MARRY ME, released December 2012 and her bestselling series, THE CUPCAKE DIARIES, released its first installment in May 2013. Born and raised in New Jersey, Darlene is now a resident of the Pacific Northwest where she lives with her husband and three children. When not writing she enjoys spending time with her family and her two horses, and loves camping, hiking, photography, and lazy days at the lake.
Jennifer Conner is a bestselling Northwest author who has published over forty works. She writes Christmas Romance, Contemporary Romance, Paranormal Romance, Historical Romance, and Erotica, and has been ranked in the top 50 authors on Amazon. Her romantic suspense novel, SHOT IN THE DARK, was a finalist in the Emerald City Opener, Cleveland, and Toronto RWA contests. She lives in western Washington in a hundred year-old house, blows glass beads with a blow torch (“which relieves a lot of stress and people don’t bother you…”) and is a huge fan of musicals.
Chris Karlsen is a retired police detective who writes time travel romances populated with 14th century knights, and thrillers featuring a nautical archaeologist and Turkish agent. She spent twenty-five years in law enforcement with two different agencies. The daughter of a history professor and a voracious reader, she grew up with a love for history and books. She has traveled extensively throughout Europe, the Near East, and Northern Africa satisfying her passion for seeing the places she’s read about. A Chicago native, Chris has lived in Paris, Los Angeles, and now resides with her husband and five rescue dogs in the Pacific Northwest.
If you have a minute, please stop by and visit their blogs–they’ll be posting their own answers to the above questions next Monday. Have a great week!
Great blog DV. Your process was certainly detailed. Mine is more hit and miss. But I think the genre you write likely demands that kind of detailed focus.
Mine is up today, too at my blog.
Thanks, Yvonne! I enjoyed yours, as well. I’ve found that the more I plan (loosely) the better the book flows. It doesn’t mean I can’t change my mind, or that the characters can’t make a u-turn, which they usually do (as you mentioned happens to you 😀 ). It just gives me a bit of a road map. There are so many details to keep up with in a novel, I found that writing little notes to myself as well as updating the time line works really well for me. I started out as a pantser, but I’d get into trouble with plot holes and inconsistencies and I’d spend scads of time ferreting them out and correcting them. I don’t have the patience for that anymore!
Yes, I get that. I once gave a newborn the wrong gender the second mention. Good thing Wendy, my editor caught it.
Great blog DV. Your process was certainly detailed. Mine is more hit and miss. But I think the genre you write likely demands that kind of detailed focus.
Mine is up today, too at my blog.
Thanks, Yvonne! I enjoyed yours, as well. I’ve found that the more I plan (loosely) the better the book flows. It doesn’t mean I can’t change my mind, or that the characters can’t make a u-turn, which they usually do (as you mentioned happens to you 😀 ). It just gives me a bit of a road map. There are so many details to keep up with in a novel, I found that writing little notes to myself as well as updating the time line works really well for me. I started out as a pantser, but I’d get into trouble with plot holes and inconsistencies and I’d spend scads of time ferreting them out and correcting them. I don’t have the patience for that anymore!
Yes, I get that. I once gave a newborn the wrong gender the second mention. Good thing Wendy, my editor caught it.
It was great reading about your writing process work. I have been picking up tidbits all along this tour.
Thanks, Kathryn. Every author finds her own way of doing things, eh?
It was great reading about your writing process work. I have been picking up tidbits all along this tour.
Thanks, Kathryn. Every author finds her own way of doing things, eh?